Post by J***@USA.OrgPost by Fill SpectorPost by J***@USA.OrgThese lefty morons got a taste of the reality concerning illegal
immigration.
https://www.dailymail.co.uk/news/article-14444165/Left-wing-theatre-
managers-invited-200-migrants-free-abandon-building-face-bankruptcy-
refugees-refuse-leave-three-months-spark-wave-sex-related-
violence.html
Left-wing managers of a Paris theatre occupied by hundreds of
homeless African migrants are set to abandon the building because of
sex-related violence.
Some 200 mainly young men moved in last December when the management
gave them free tickets to a ‘Refugees Welcome in France’ conference.
But when the conference was finished, the migrants, who mostly come
from France's former west African colonies, refused to leave the
venue.
The African invaders correctly perceive White Europeans, especially
Frenchmen as weak and severely handicapped by woketardedness. The
about in her book, which she ended up shooting because they were more
trouble than they were worth to her. The French have two choices, go the
route of the Frenchmen in the novel Camp of the Saints or grow some
balls and throw the sub-Saharan Africans and other invaders out of France.
The French usually always use the option of surrender. Remember how
fast they surrendered to Adolph? Britain held out heroically until
the Japanese f****d up and bombed Pearl Harbor.
Here's an interesting spin on the abject surrender of the theater owners
to the African squatters:
https://www.amren.com/videos/2025/03/this-is-how-the-west-dies/
ince December 10 — that means for 87 days — hundreds of illegal alien
Africans have occupied this beautiful 19th century building in the heart
of Paris.
It’s called the Gaîté Lyrique theater. Last week, after 79 days of
occupation, theatre management threw up its hands and abandoned the
building, which is owned by the city of Paris. With “youths” everywhere,
all performances had been canceled, revenue had plummeted to zero, and,
claiming force majeure, management said it could no longer fulfill its
contract to run the place.
Meanwhile, there have been demonstrations in front of the theater, with
blacks demanding legalization, housing, food, and medical care. A judge
has ordered the city of Paris to solve the problem by March 14, but so
far, nothing has been done.
This is how Western Civilization could die — paralyzed whites unable to
take the most obvious steps to protect what is theirs. It is a Camp of
the Saints in miniature. Aliens invade and whites put up no resistance.
How did we get there? First, with the lefty stupidity of the theater’s
management. Lyric Gaiety, to say its name in English, used to stage
operas, but it fell into the hands of degenerates who don’t seem to like
lyricism or gaiety. Here are the “next concerts” that had to be canceled
or moved elsewhere.
Theodora is a Congolese rapper who “represents a diversity, musical and
ideological, an explosive cocktail.”
Canblaster is a “unanimously respected and admired” synthesizer artiest.
This is from his latest album LIBEROSIS.
And so, it was no surprise that when the theater put on a conference
called “Refugees Welcome in France,” it let in 200 black street bums for
free. But Lyric Gaiety was outflanked by an even more insanely lefty
organization called the Collective of the Youth of Parc de Belleville,
which rounded up the Africans.
The collective’s job is to make an infernal pest of itself. Here are its
troops, last spring, occupying a cultural center, demanding housing,
food, education, and medical care for illegal blacks.
And here they are outside, threatening to shut down the Paris Olympics
if Africans don’t get what they want.
The collective is run by whites, but it has no trouble whipping up flash
mobs.
They usually get the boot quickly enough, but this time they hit the
jackpot. When the Africans refused to leave, this manager conceded that
it was an illegal occupation, but he sympathized with the poor dears,
who certainly could not be put out in the December cold.
And for 79 days, the staff played social worker, garbage collector, and
security guard, while non-profits like this outfit, Samu Social, along
with Doctors Without Borders, made sure the Africans were fed and medicated.
Meanwhile, the flash-mob collective was in high gear launching appeals.
On the left: Asking for donations of food, garbage bags, and cleaning
supplies. Middle: “Racist government, mayor’s office. We are sick of
Here you can see Africans shouting into bullhorns and waving posters
that say, “Equality means legalization, housing, education, and health
care for everyone.” Or that say “Solidarity, disobedience, resistance,
struggle. State racism paves the way for fascism.” Other banners appeal
for help from leftist labor unions. As always, this kind of insanity has
nitwit white supporters.
This all finally got to be too much for the theatre staff — look at
those earnest white people.
They wrote an open letter to the mayor of Paris. They did not say, “Get
these swine out, for God’s sake.” The said the theater faced an
“explosive situation,” with “violence of increasing frequency and
seriousness,” that there had already been one dangerous fire, that at
last count there were 446 squatters under foot — for whom they begged
the authorities to “find shelter.”
And with that, on March first, they walked out. The city has reportedly
taken over, but the place is still pretty spooky.
A Soros-backed newspaper called Street Press had been using free offices
in the theatre.
Street Press is proud to proclaim that it is: antiracist, against the
radical right, feminist, against police violence, on the side of
refugees, ecologist, and on the side of the poor.
But five days after theater management beat a retreat, Street Press’s
Mathieu Molard — look at his nice X illustration — issued a statement.
He said staff had to move out “suddenly” for its own safety. He said
that especially at night, there is “tension” in the building. He
expressed continuing “solidarity” with the Africans, of course, and
blamed their problems on “reactionaries” and “racist propaganda.” But he
begged donors for “thousands of Euros” to pay for the staff’s narrow escape.
And that, ladies and gentlemen, is the current state of play at the
venerable Gaîté Lyrique. The French media are surprisingly muted. Maybe
they are waiting for an explosion.
I will close with a scene from a 1985 production of Jaques Offenbach’s
opera, Voyage to the Moon, which premiered at the Gaîté Lyrique in 1875.
I think if Offenbach were to see what’s going on in his theater today,
he’d rather be stuck on the moon.
--
"Title 8, U.S.C. § 1324(a) defines several distinct offenses related to
aliens. Subsection 1324(a)(1)(i)-(v) prohibits alien smuggling, domestic
transportation of unauthorized aliens, concealing or harboring
unauthorized aliens, encouraging or inducing unauthorized aliens to
enter the United States, and engaging in a conspiracy or aiding and
abetting any of the preceding acts. Subsection 1324(a)(2) prohibits
bringing or attempting to bring unauthorized aliens to the United States
in any manner whatsoever, even at a designated port of entry. Subsection
1324(a)(3)."
“Western values mean three things: migration, LGBTQ, and war." Viktor Orban
https://www.globalgulag.us